Zizeks Concept Of Two Revolutions Essay Example | Topics and Well Written Essays - 4000 words

Zizeks Concept Of Two Revolutions - Essay Example Zizek’s work has been criticised for inconsistency and Parker argues that â€Å"there is no Zizekian system of philosophy because Zizek, with all his inconsistencies, is trying to make us think much harder about what we are willing to believe and accept from a single writer† (Parker, 2004, p.120). Indeed, to this end Zizek argues himself that we should constantly challenge our ideologies and philosophies. This is particularly evident with Zizek’s extrapolations pertaining to the concept of the two revolutions as highlighted by his discussion in â€Å"Revolution at the Gates, A Selection of Writings from February to October 1917† (Edited by Zizek, 2002). To this end, it is submitted at the outset that at the heart of Zizek’s argument for the necessity of two revolutions is the idea that the first revolution challenges the pre-existing form and the second revolution ensures that the form itself is revolutionised to attain the true purpose of the intended objectives of the â€Å"revolution† in what Zizek terms the â€Å"utopia†. Directly correlated to Zizek’s perception of the two revolutions is the use of Lenin as a symbol to highlight the flaws of traditional social theory highlighting historical circumstance and context as the significant causal triggers for revolution.

Parkinsons Disease Essay -- Brain Aging Diseases Papers

Parkinson’s Disease (from hereon PD) is an extrapyramidal disorder characterized primarily by massive idiopathic degeneration of dopaminergic neurons in the substantia nigra, resulting in greatly decreased levels of dopamine in the striatum. The diagnosis, which is essentially a clinical judgment due to the lack, thus far of a simple diagnostic test, has historically been on the basis of the presence of at least two of the three main features of PD: bradykinesia (or akinesia or hypokinesia), rigidity, and resting tremor. In addition to these symptoms, most PD patients also show postural disturbances, impaired righting reflexes, and abnormal ocular movements. The extent of the disease and its symptoms can be quantified by one of a few similar scales, including the motor examination of the Unified Rating Scale for Parkinson’s Disease, in which each of 14 motor aspects are scored from 0 to 4 and the scores totaled. The items in this particular scale are as follows: 1) spee ch; 2) facial expression; 3) tremor at rest; 4) action or postural tremor of hands; 5) rigidity; 6) finger taps; 7) hand movements; 8) rapid alternating movements of hands; 9) foot agility; 10) arising from chair; 11) posture; 12) postural stability; 13) gait; and 14) body bradykinesia or hypokinesia. In addition to the typical idiopathic PD, PD-like symptoms may be seen in a variety of other disorders, such as striatonigral degeneration (which I will mention later), Parkinsonism-dementia complex on Guam, supranuclear palsy, and occasionally Alzheimer’s Disease. The resting tremor usually seen in PD primarily affects the digits, hands and arms, head, and lips, and ceases during voluntary movement and sleep. This tremor characteristically has a high amplitude a... ...n Implants on Primate MPTP-Induced Parkinsonism. J Neurosurgery; 72: 231-244. 19. Apuzzo, M. L. J. et. al. (1990). Utilization of Unilateral and Bilateral Stereotactically Placed Adrenomedullary-Striatal Autografts in Parkinsonian Humans: Rationale, Techniques, and Observations. Neurosurgery; 26: 746-757. 20. Lieberman, A. et. al. (1989). Adrenal Medullary Transplants as a Treatment for Advanced Parkinson’s Disease. Acta Neurol. Scand.; 126: 189-196. 21. Nakai, M. et. al. (1990). Autologous Transplantation of the Superior Cervical Ganglion Into the Brain of Parkinsonian Monkeys. J. Neurosurgery; 72: 91-95. 22.Wolff, J. A. et. al. (1989). Grafting Fibroblasts Genetically Modified to Produce L-Dopa in a Rat Model of Parkinson’s Disease. Proc. Nat’l. Acad. Sci., USA; 86: 9011-9014. 23.Carpenter, M. B. Core Text of Neuroanatomy (?). Scattered pages. Parkinson's Disease Essay -- Brain Aging Diseases Papers Parkinson’s Disease (from hereon PD) is an extrapyramidal disorder characterized primarily by massive idiopathic degeneration of dopaminergic neurons in the substantia nigra, resulting in greatly decreased levels of dopamine in the striatum. The diagnosis, which is essentially a clinical judgment due to the lack, thus far of a simple diagnostic test, has historically been on the basis of the presence of at least two of the three main features of PD: bradykinesia (or akinesia or hypokinesia), rigidity, and resting tremor. In addition to these symptoms, most PD patients also show postural disturbances, impaired righting reflexes, and abnormal ocular movements. The extent of the disease and its symptoms can be quantified by one of a few similar scales, including the motor examination of the Unified Rating Scale for Parkinson’s Disease, in which each of 14 motor aspects are scored from 0 to 4 and the scores totaled. The items in this particular scale are as follows: 1) spee ch; 2) facial expression; 3) tremor at rest; 4) action or postural tremor of hands; 5) rigidity; 6) finger taps; 7) hand movements; 8) rapid alternating movements of hands; 9) foot agility; 10) arising from chair; 11) posture; 12) postural stability; 13) gait; and 14) body bradykinesia or hypokinesia. In addition to the typical idiopathic PD, PD-like symptoms may be seen in a variety of other disorders, such as striatonigral degeneration (which I will mention later), Parkinsonism-dementia complex on Guam, supranuclear palsy, and occasionally Alzheimer’s Disease. The resting tremor usually seen in PD primarily affects the digits, hands and arms, head, and lips, and ceases during voluntary movement and sleep. This tremor characteristically has a high amplitude a... ...n Implants on Primate MPTP-Induced Parkinsonism. J Neurosurgery; 72: 231-244. 19. Apuzzo, M. L. J. et. al. (1990). Utilization of Unilateral and Bilateral Stereotactically Placed Adrenomedullary-Striatal Autografts in Parkinsonian Humans: Rationale, Techniques, and Observations. Neurosurgery; 26: 746-757. 20. Lieberman, A. et. al. (1989). Adrenal Medullary Transplants as a Treatment for Advanced Parkinson’s Disease. Acta Neurol. Scand.; 126: 189-196. 21. Nakai, M. et. al. (1990). Autologous Transplantation of the Superior Cervical Ganglion Into the Brain of Parkinsonian Monkeys. J. Neurosurgery; 72: 91-95. 22.Wolff, J. A. et. al. (1989). Grafting Fibroblasts Genetically Modified to Produce L-Dopa in a Rat Model of Parkinson’s Disease. Proc. Nat’l. Acad. Sci., USA; 86: 9011-9014. 23.Carpenter, M. B. Core Text of Neuroanatomy (?). Scattered pages.

Comapring Gardners Model to the Theory of John Dewey Essay -- Teachin

Philosophers are part of history, caught in its movement; creators perhaps in some measure of its future, but also assuredly creatures of its past.-John Dewey American philosopher, social commentator, idealist, educator, and democratic theorist, John Dewey has had a profound impact on America's educational system. Proponent of change and advocate of "hands-on" learning and interactive classrooms, Dewey accomplished a great deal in his long life, (interestingly enough, he is the only major philosopher to live beyond his ninetieth year). He is the one professional philosopher of our age whose ideas have touched the common man through institutional changes in education and social action. Born on October 20, 1859, in Burlington Vermont, John Dewey was born into a small-town middle class family. His father was a reasonably successful town grocer and tobacconist, while his mother, almost twenty years younger and "better-born", had come from a prominent Vermont family. Dewey remembered his mother as a woman of great piety, strict with her sons, and frequently questioning their "rightness with Jesus". Until he was almost thirty years old, the greater part of Dewey's intellectual life was concerned with mediating between the core of evangelicalism that his mother had given him and life as men live it, particularly the intellectual life of the later nineteenth century. Mrs. Dewey prized the principles of work, prayer, benevolence, maternity, and ambitious goals for her family. The disappointment of her marriage seems to have led her to seek an exaggerated sense of self-reliance. Due to her strong convictions, the home life of her three sons was very demanding. The teachings of his mother left Dewey with the notion that the world... ...ample is the characteristic of egoism among creative individuals. This also seems obvious, especially when dealing with the individuals he has chosen, as they are all famous and recognized worldwide for their achievements. On the whole I do not agree with Gardner's model, and I believe that it is somehow wrong to stereotype and dissect people to the extent that he has. But hey, maybe that's why I'm not an psychology or phyciatry major. Works Cited 1. Hook, Sidney. John Dewey: Philosopher of Science and Freedom. 1950. Dial Press. New York 2. Campbell, James. Understanding John Dewey. 1995. Open Court. Chicago, Illinois 3. Johnson, A.H. The Wit and Wisdom of John Dewey. 1949. The Beacon Press. Boston. 4. http://www.albany.edu/~dkw42/s2-dewey-progr.html 5. http://education.ucdavis.edu/ACADEMIC/EDU120/dewey1.html 6. http://www.fred.net/tzaka/demointr.html

Research About Students with Parents Working Abroad Essay

Tool. A person or a thing used to accomplish another’s purposes, to convey, & somebody who is manipulated to carry out tasks. It also refers to the process of how the data of this study is gathered & collected. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Spirituality. The quality or condition of being spiritual. It also refers to the subject of the study which is one of the many roles that a nurse has, & it is relentlessly provided to the appropriate respondents. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Hospital. An institution where people receive medical, surgical, or psychiatric treatment and nursing care. It also refers to the location of the study conducted. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Experience. Knowledge or skill gained through being involved in or exposed to something over a period of time. It is used as the extent of the respondent’s awareness. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Practice. To work in a profession, especially law or medicine. Refers to the respondent’s profession which is adopted in the study. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Patient. Somebody who receives medical treatment. It is the respondents in the SACH which is given spirituality care by the nurse respondents. It also refers to one of the subjects of the study. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Demographic Data. The characteristics of a human population or part of it, especially its size, growth, density, distribution, and statistics regarding birth, marriage, disease, and death. In this study it refers to the number of respondents in SACH that is to be used in the study. (Microsoft ® Encarta ® 2009.  © 1993-2008 Microsoft Corporation.) Level of Awareness. Relating to or having knowledge of something from having observed it or been told about it. In this study, it represents the total number of correctness of the respondents to the answers in the provided questionnaires on their level of awareness about spiritual care in both nurses & patients in SACH.

The Materials and Appropriation of Tracey Emin

Tracey Karima Emin or better known as Tracey Emin was originally born in London in 1963, she was brought up in Margate with her twin brother Paul by their mother from a very early age (hence the well known nickname, ‘Mad Tracey from Margate’). From a very early age Emin was subjected to sexual abuse, which in turn has been the subject for a substantial amount of her work including sexual nature. Emin attended the Royal College of Art in which she gained an MA in painting. But Emin has described this period in her life as a negative experience, as she felt as though the other students attending the college were far too posh, thus creating an alienated experience. â€Å"Emin has described feeling conspicuously different and alienated from other students. † (Brown, 2006, page 16) Emin is also a member of the Young British Artists group (YBAs) and it is also wildly known that Emin came up with the name for the Stuckism movement in which her boyfriend at the time Billy Childish was a member of. It is believed that the name for this movement came about by Emin claiming that his oeuvre was ‘stuck’. â€Å"Your paintings are stuck, you are stuck! – Stuck! Stuck! Stuck! (That is, stuck in the past for not accepting the YBA approach to art). † http://en. wikipedia. org/wiki/Tracey_Emin 16/11/2010 So who is Tracey Emin? Is she a painter, print maker, photographer, instalaitionist, film maker, sculptor or writer? I would actually consider Tracey Emin to be all of these professions, including much more, due to the wide variety of her skills. Her work consists of a number of techniques that we, as the viewer, have seen since she has been in the public eye from the early 1990’s. The range of materials Emin has used (and still uses to this very day) is very vast indeed. There are very few artists out there in the world who use such an amount. Instead of just complying with the normal standard of art and just subjecting herself to a limited supply of materials, but then again most contemporary artists tend to think outside the box and do not want to conform to normality. The main piece of Oeuvre that I was to talk analyse is Everyone I Have Ever Slept With 1963-1995 1995, otherwise known as ‘The Tent’ (fig 1 and 2). This was originally shown at the South London Gallery as part of a group show called ‘Minky Manky’, which substantionaly became the turning point in Emins career. In regards to the materials Emin has used, the overall body of this piece is actually a shop brought tent (ready made object), which is the shape of a hexagon. It makes me wonder how Emin came about in deciding that this was the tent to use. I can just imagine Emin visiting a substantial number of retail shops searching for ‘the right tent’. Maybe this tent in particular just had that ‘ju ne se qua’ about it that drew Emin towards using it. She has also introduced more forms of materials such as an old mattress that she has placed inside of the tent with the text ‘with myself, always myself, never forgetting ‘appliqued on the bottom of the mattress in the centre. Inside of this small tent Emin has listed all the names of everyone that she has ever slept with during the time period in the title, 102 in fact. Her use of re- appropriating in regards to the appliques method which also includes the use of materials also used in this piece is something that I will be looking into a little later on. I find this really intriguing, as the use of appliques is quite an old fashioned way of making art these days. For centuries women all over the world had used this technique as a simple way of passing the time, as it was not even considered art in itself, and yet here we have a Young British Artist using this old fashioned method as part of her core work. Emin has even used this very same method in other pieces of her work including ‘Hate and Power can be a Terrible Thing 2004’. Now at first I thought this was an arbitrary shameless exhibition of her past sexual conquests. But when I took the time to look at the pictures of ‘The Tent’ (As it would now be impossible to view this in any art gallery, as it was destroyed in an unfortunate fire at the Saatchi Gallery in 2004), I was able to see that included in those names are members of her family, including her twin brother and also her unborn children i. e. , foetus 1 and 2. As I have already mentioned, that this could have been portrayed as an exhibition of past sexual conquests, Emin claims herself that all of the people she has named within the tent are in fact about intimacy and purely nothing sexual. â€Å"Some I’d had a shag with in bed or against a wall, some I had just slept with, like my Grandma. I used to lay in her bed and hold her hand. We used to listen to the radio together and nod off to sleep. You don’t do that with someone you don’t care about†. http://en. wikipedia. org/wiki/Everyone_I_Have_Ever_Slept_With_1963%E2%80%931995 23/10/10 I know from reading about Tracey Emin regarding this piece that the members of the audience that went to view this piece, have said that when they emerged from he tent they were thinking about their own past lives, including the people they have cared about â€Å"Some observers found the action of climbing inside the tent to read the names strangely intimate. http://news. bbc. co. uk/1/hi/3753541. stm 15/11/2010 This just goes to show that she has deliberately played with our minds to make us instantly think about what she wants us to think about, and that is those we care a great deal about. As Emin has said herself, it’s all about the communication. She has more or less re-appropriated this method and made it her own. Instead of sewing the regular ideals of something traditional such as a quilt or clothes in that matter, that would usually be commissioned using this historical method, she has re-invented this technique and used it for something to express her past sexual experiences through the representations of her own body, not necessarily physically for the viewer to see, but through the senses in ways that Emin portrays by symbolising the names of her past. Could Emin be playing with the Signs and Codes of ‘The Tent’? I honestly believe that she could well be. I feel that she is trying to tell us through When it comes to discussing such signs and codes Ferdinand de Saussure (1857-1913) believed that the signs and codes where a way in which the artists and audience could communicate. â€Å"Saussure believed that all of culture is made up of signs. That is to say, social life is characterised by the circulation and exchange of forms to which convention has been given meaning. A sign for Saussure is simply any device through which human beings communicate to each other†. Ward, 2003, page 83) However all of these names have been Appliqued, are those of family, friends and boyfriends (One of which is her former boyfriend Billy Childish). When I think about the signs and codes Emin has used, I start to wonder, did she do this on purpose? Is she forcing me as a member of the audience to subconsciously think about all of the people that I have ever cared about in my own life? As Emin has stated in the quote above that this piece is about intimacy. I believe that Emin has truly cared about all of these names at some point in her own life, as the time and effort she has taken to create this. The use of appliques, which is the term for sewing fabric directly on top of more fabric, of which she has used to attach all of the 102 names inside. This is in itself is a time consuming process and I believe that this is truly a sign to show that she has put as much effort into creating this Oeuvre as much as she did with the relationships in her life. Tracey Emin also uses representations of the body in a number of her drawings and monoprints. Here she uses the method of monprint as a way of capturing her thoughts and ideas. Usually these thoughts are again to do with her turbulent past. When you look at her drawings such as Suffer Love II, 2009 (fig 3) in which you can only see of what is presumably Emins own body is that of two naked legs erotically spread open wearing high heel shoes , you can see who her influences are e. g. Egon Shiele (fig 4). â€Å"Schiele’s eroticism and emphasis on childhood sexuality took this interest to a moral extreme. His depictions of childhood sexuality are a dangerous theme, and one shared by Emin†. (Brown, 2006, page 29) Here you can see that she is expressing her thoughts entirely just by a simple yet effective drawing. Both of the artist’s drawings are very alike in terms of the irrational lines that express how they must have been feeling at the time they were produced. Although Emins work is mostly of sexual emotions, her work does engage the audience. â€Å"Emin is a storyteller whose subject matter comes from Emin's own rich life. Through the poetry of her honest retelling of unique and intimate life-events Emin establishes a generous dialogue between the viewer and the artist. † http://www. saatchi-gallery. co. uk/artists/tracey_emin. htm 20/10/2010 Although some of her work can be quite controversial. Everybody at some point over the years has heard of Tracey Emin either through television or from reading newspapers and magazines, regarding her radical use of her exploration of her own body and personal past life. Her work is very autobiographical, in which her main source of study is herself, and about her past experiences in which she obviously wants to share with us. I would say that in that situation she must either be very naive or just completely an exhibitionist. At first I was unsure as to why I should write my essay on Tracey Emin, but after researching her, I have come to understand the ‘method in her madness’ so to speak. The way in which your mind starts to think in overdrive in how and why she creates such pieces of oeuvre and why she mostly only concentrates on certain parts of her past. I feel that all she is trying to achieve is basically instead of writing a book on her past life, she is giving us the visual experience instead, as sometime books can literally be boring with their little pictures and overrated text, but Emin takes away the boring text and replaces them with bold, brass exploiting words that make you want to read and want to learn more about her.

Student Activism - 1416 Words

Student activism v. 2010 Are the rabid ‘Makibaka’ days of the ‘70s back on our campuses today? By RACHEL C. BARAWID April 21, 2010, 12:37pm Many in the academic community condemn the violent protests that took place recently at their campuses and at the CHED office but student activists justify their acts as a last resort to air their grievances. Chair burning. Paint throwing. Effigies set on fire. Slogan screaming. Unadulterated violence. No, these are not scenes created by adult dissidents, but by radical Filipino students of today. Last month, people witnessed violent on-campus protests that led to the destruction of property at the Polytechnic University of the Philippines, and the paint bombing of University of the Philippines Los†¦show more content†¦Ã¢â‚¬Å"Forms of protests like that are relegated to the most rabid, and to a certain extent, sinful persons. We’ve done it against Gen. Esperon in 2006 during the time two UP students were abducted. He went to UP to justify abductions and human rights violations of the regime. Tinapunan siya talaga ng itlog. Chancellor Velasco was pelted with paint bombs to express outrage for the years of repression and vilification of student organizations. In the last two years, I think he suspended the UPLB Student Council and the student publication, delayed the appointment of the Student Regent, and is also now responsible for the ousting of that particular Student Regent from UPLB precisely because he was sitting on her registration request papers,† Ridon laments. He also accused Velasco of being responsible for the vilification campaign against progressive organizations, student councils and publications, alleging they are fronts of the communist party at UPLB. Chancellor Velasco vehemently denies any of these charges, saying these were totally baseless and irresponsible statements. According to Velasco, he was not responsible for the ousting of Student Regent and senior UPLB Comm Arts student Charisse Baà ±ez. He says Baà ±ez had pending cases with the Student Disciplinary Tribunal (SDT) that prevented her from graduating in April 2009. Baà ±ez also reportedly failed to file a Leave of Absence (LOA) for the second semester of 2009, despite reminders by the CAS dean, the CAS Office of theShow MoreRelatedStudent Activism/Social Apathy1924 Words   |  8 Pagesof social action. College students seemed lit up with the passion to create change and reform the way things were in society. Across the nation, there was a liveliness on college campuses, an energy of relentless revolution which that generation is still revered for. On the modern-day college campus, there are no grand riots, protests, or strikes. It is hard to tell if this is an indication of social apathy or if young people have found new outlets for social activism. 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It is certain that such beliefs gave theses activist the title of dreamers. They would start small but eventually make their way up ag ainst the government, also known as â€Å"the man†. The beginning of the movement held different beliefs from what eventuallyRead MoreAnalysis Of Sal Castro And Maria Tula s Hear My Testimony1698 Words   |  7 Pagestreating him a certain way (badly), simply because of his culture. Through the testimonio, these early encounters show us how Castro’s identity and core values were shaped. Furthermore, Castro’s testimonio allows him to tell a fuller story of social activism. For example, Castro vividly recalls the Watts Riot that took place in Los Angeles. The Watts Riot was the result of the community reacting to allegations of police brutality against an African-American motorcyclist. Castros explains, â€Å"If you livedRead MoreThe Lover Pinter s Role Playing As An Inquiry Into Our Rigid And Firm Definitions Of Reality1512 Words   |  7 PagesMarriage on a Divorce Contract. The inner play commences when the playwright introduces the setting and explains that it will be an interclass love story. Zainab is the daughter of Mr. Sayed , a chauffer in a small company. Mourad is a first-year student of engineering and the son of a noble family that leads the community, either by means of culture, wealth or nobility.. (1. 13). This play is set in 1952, a critical year in Egyptian history. It is the year when the Revolution takes place

Essay James Joyce and Catholicism in Portrait and Dubliners

Joyces Juxtaposition of Catholicism and Aesthetics James Joyce was a prolific Irish writer who wrote about Ireland and the troubles the people of Ireland faced. According to the Volume Library Encyclopedia, with Ireland being about 94 % Roman Catholic, religion is a motif brought forth prominently in Joyces works. In Dubliners, his book of short stories as well as his supposed autobiography, Portrait of the Artist as a Young Man, Joyce shows religious turmoil and indecision through his characters. Stephen Dedalus, the main character in the journal-like story of Portrait of the Artist as a Young Man, goes through an internal turmoil of his own throughout the entire book on how he would view religion. He shows certain extremities of†¦show more content†¦On this retreat he hears sermons about sin, hell, and guilt among other things. Through hearing Father Arnalls sermon about hell he is scared and horrified recognizing hell as his imminent destiny. He takes a nap and has nightmares of creatures waiting for him in a field like in hell. He applied these to himself and began to hate the life he lived. His soul sickened at the thought of a torpid snaky life feeding itself out of the tender marrow of his life and fattening upon the slime of lust(Portrait 151) After a time period of chronic sin and negligence to his faith, Stephen tried fervently to regain his faith through repentance and reconciliation. In his repentance he tells the priest this, His sins trickled from his lips, one by one, trickled in shameful drops from his soul festering and oozing like a sore, a squalid stream of vice. The last sins oozed forth, sluggish, filthy. (Portrait 159). He suddenly viewed life differently and it seemed that his old life of sin was abolished with his religious epiphany on his retreat. He viewed life in a new light. Life became a divine gift for every moment and sensation of which, were it even the sight ofShow MoreRelated James Joyce Essay1100 Words   |  5 Pages In selecting James Joyces Ulysses as the best novel of the twentieth century, Time magazine affirmed Joyces lasting legacy in the realm of English literature. James Joyce (1882-1941), the twentieth century Irish novelist, short story writer and poet is a major literary figure of the twentieth-century. Regarded as quot;the most international of writers in English ¡K[with] a global reputation (Attridge, pix), Joyces stature in literature stems from his experimentation with English prose. InfluencedRead MoreEssay on Ulysses by James Joyce1157 Words   |  5 PagesUlysses by James Joyce Many novelists directly reflect their life stories and personal circumstances in their works, so closely that the works may seem autobiographical. Although there are autobiographical parallels between James Joyces life and that of his characters in Ulysses, the novels scattered autobiographical details are more in the line of delightful puzzles to be ferreted out, rather than direct insights into Joyces life. What is really important in Ulysses is not the ties to